All American Entertainment Named to Inc. Best Workplaces in 2022. Read more
Fee Range:Please Contact
Availability:Please contact
Genre:rock, lo-fi
368.5KScrobbles
35.0KListeners

San Francisco/Oakland’s The Mantles have been charting a unique path through the Bay Area’s storied garage/pop scene since 2007. The early shows were loose & loud Velvets/Nuggets-bashing, always with weirdly catchy songs & oddball chord changes.

Their first singles saw them honing their sound, building towards their excellent 2009 self-titled debut album (on Siltbreeze) and follow-up EP on Mexican Summer. Loosely aligning with artists like White Fence and Ty Segall, The Mantles thoroughly modernize and personalize the folk-rock tradition.

Now on Long Enough To Leave, The Mantles still color outside the lines but dial a cleaner, more infectious sound. SF’s Kelley Stoltz (Sub Pop) recorded the new album with enough savvy to make it pop while keeping the performances idiosyncratic & affecting.

Sharp ears may spot bits of early Love, New Zealand’s Flying Nun label and LA’s Paisley Underground, but The Mantles are very far from revivalists and have more song-writing and arranging skill at their disposal than many bands could hope to have.

Long Enough To Leave is both impressionistic and psychedelic – guitar melodies evoke lyrical themes in equal measure to the plaintive words of vocalist Michael Olivares, whose frank and poetic take on ordinary reality strips familiar themes of their clichés.

The band plays with a musical synchronicity and clarity that enlivens tunes like album opener “Marbled Birds” and the rocking “Reason’s Run.”“Hello” is a tough, garagey stomp that contrasts nicely with the contemplative “Long Enough To Leave” which follows it.

“Raspberry Thighs,” originally released on a scarce French 7″ single, is reprised and re-recorded with dreamy clarity. “Bad Design” is a great take on a long-time live favorite, while “Brown Balloon” joins “Don’t Lie” and “Lily Never Married” in a long line of Mantles garage-pop classics.

By foregoing the theater of retro psychedelia, The Mantles end up innovating in an area of guitar music where many bands get lost fawning over fashions, styles and trends. Long Enough To Leave instead stakes their claim as writers and players of distinction, building a sturdy catalog of excellent songs and increasingly accomplished records.

The Mantles performs rock, lo-fi music and can be booked for (private) corporate events, personal appearances, or other music performances. The estimated booking fee range to book The Mantles for your event, Please Contact. The Mantles has more than 35.0K listeners worldwide and really knows how to entertain your audience. Similar artists are   . Contact AAE Music agency for ratings, reviews, videos and information on scheduling The Mantles for an upcoming event.

This website is a resource for event professionals and strives to provide the most comprehensive catalog of popular musicians and bands to consider for performances at corporate events, fundraising galas, or university events. A listing or profile on this website does not imply an agency affiliation or endorsement by the talent.

All American Entertainment (AAE) exclusively represents the interests of talent buyers, and does not claim to be the agency or management for any artist or celebrity on this site. AAE Music is a talent booking agency for paid events only. We do not handle requests for donation of time or media requests for interviews, and cannot provide celebrity contact information.

If you are the talent, and wish to request removal from this catalog or report an issue with your profile, please click here.

The 2022 Speaking Industry Benchmark Report
This is a standard notification.

Report an issue with my profile

Please use this form to report an issue with your artist profile or to request removal from our online catalog.

Leave your message and contact information below. We will send you a confirmation message or reach out if we have questions.

    Please update my profile
    Please delete my profile