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The Drifters
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The Drifters

The Drifters are a long-lived American doo wop Pop R&B band, originally formed by Clyde McPhatter (o...

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{"key":"4485","name":"The Drifters","bio":"The Drifters are a long-lived American doo wop Pop R&B band, originally formed by Clyde McPhatter (of Billy Ward & the Dominoes) in 1953 from New York City, NY, USA. There have been over 60 members since 1953. www.theofficialdrifters.com shows the current lineup and tour dates.The original DriftersAhmet Erteg\u00fcn of Atlantic Records approached Clyde McPhatter after he left The Dominoes and signed him. McPhatter first recruited several members of his former group, The Mount Lebanon Singers: William \u201cChick\u201d Anderson (tenor), David Baldwin (baritone), and James \u201cWrinkle\u201d Johnson (bass), plus David \u201cLittle Dave\u201d Baughan (tenor). This aggregation lasted for only a single session (from which \"Lucille\" was the only song released), after which Atlantic asked McPhatter to form a different group. He finally settled on Gerhart Thrasherand Andrew Thrasher on baritone and second tenor, respectively, Bill Pinkney on high tenor, Willie Ferbee as bass, and Walter Adams on guitar. This is the group on the second session, which produced the group's first major hit: \"Money Honey\".After the session, Ferbee was involved in an accident and left the group and Adams died (to be replaced by Jimmy Oliver). Ferbee was not replaced and the voice parts were shifted around: Gerhart Thrasher became first tenor, Andrew Thrasher was now the baritone, and Bill Pinkney shifted down to bass. The group released several more hits (\"Such A Night,\" \"Honey Love,\" \"Bip Bam,\" \"White Christmas,\" and \"What'cha Gonna Do\") before McPhatter was drafted in May 1954 (after which he pursued a solo career). McPhatter had demanded a large share of the group's profits, which he had been denied in The Dominoes, but, upon his departure, did not ensure that this would continue for his successor. He sold his share of the group to [bandmember from=1953 to=1956George Treadwell, manager, former jazz trumpeter, and husband of legendary singer Sarah Vaughan. As a result, the Drifters cycled through copious members, none of whom made much money. McPhatter later expressed regret at this action, recognizing that it doomed his fellow musicians to unprofitability.McPhatter was first replaced by David Baughn, who was on the group's first session. While his voice was similar to McPhatter's, his erratic behavior made him unsuitable in the eyes of Atlantic Records executives. Baughn soon left the group, and was replaced by Cleveland native Johnny Moore (of The Hornets). This lineup had a major R&B hit in 1955 with \"Adorable,\" followed by several others (\"Ruby Baby,\" \"I Got To Get Myself A Woman,\" and \"Fools Fall In Love\"). Johnny Moore was drafted in November 1957 and replaced by Bobby Hendricks (who had briefly been with The Swallows), but to no success; the group was not able to break into mainstream markets.In the mid 1950s, the Drifters began working with Jerry Leiber and Mike Stoller, legendary songwriters, who eventually became the group's producers as well. This is widely considered the group's golden age, inaugurated by the 1956 hit \"(April, 1993)I Gotta Get Myself a Woman.\" Low salaries contributed to burnout among the members, particularly Bill Pinkney, who was fired after asking Treadwell for more money. Andrew Thrasher left as well, in protest. Pinkney formed another group, called The Flyers, with lead singer Bobby Hendricks (before he joined the Drifters to replace army-bound Johnny Moore).Bill Pinkney was replaced by Tommy Evans (who had replaced Jimmy Ricks in The Ravens). Charlie Hughes, a baritone, replaced Andrew Thrasher. By early 1958, the lineup was: Bobby Hendricks (lead tenor), Gerhart Thrasher (first tenor), Jimmy Milner (baritone), Tommy Evans (bass), and Jimmy Oliver (guitar). By May 1958, both Hendricks and Oliver had quit, returning only for a week's appearance at the Apollo Theater. During that week, one of the members got into a fight with the owner of the Apollo. That was the last straw for manager George Treadwell, who fired the entire group.Since Treadwell owned the rights to the name \"Drifters,\" and since he still had a year's worth of bookings for the Apollo, he recruited another group, The Five Crowns, featuring lead singer Ben E. King. The group changed its name to the \"Drifters\" and went out on the road to tour for almost a year, although this new group had no connection to the prior Drifters.Bill Pinkney's \"Original Drifters\"Meanwhile, Bill Pinkney and other \"fired\" Drifters once again joined with the Thrashers and David Baughan to begin touring as \"The Original Drifters\" (although their first recordings, for End in 1959, were as the \"Harmony Grits\"). Baughan left after a short time, leaving the group a trio. Bobby Lee Hollis joined in 1964 and took over the lead spot. Later that year, Andrew Thrasher was out and Jimmy Lewis was in. Bobby Hendricks returned, making the group a quintet for a short time, before Lewis left. Andrew Thrasher returned, replacing Hollis. Hollis and Baughan bounced in and out through the 1960s. By 1968, the group was Pinkney, Gerhart Thrasher, Hollis, and Hendricks. At this point, the group split.Pinkney met with an existing group, The Tears, and recruited them as the new Original Drifters. The Tears were Benny Anderson, George Wallace, Albert Fortson, and Mark Williams. Shortly after recruiting them, they broke away from Pinkney and continued touring as the Original Drifters for over a decade (Pinkney filed suit and successfully stopped them at that time).Pinkney then brought in new members Bruce Caesar, Clarence \"Tex\" Walker, and Bruce Richardson. The lineup changed rapidly. In 1979 the group was Pinkney, Andrew Lawyer, Chuck Cockerham, Harriel Jackson, and Tony Cook. Their 1995 album Peace in the Valley, on Blackberry Records, credited vocals to Pinkney, Cockerham, Richard Knight Dunbar, Vernon Young, and Greg Johnson. They appeared on the PBS special, Doo Wop 51 with Pinkney, Dunbar, Johnson, and Bobby Hendricks. The current lineup is Pinkney, Cockerham, Dunbar, Young, and Clyde McPhatter's son, Billy McPhatter. Greg Johnson is now in Bobby Hendricks' Drifters.The second DriftersTreadwell had approached Lover Patterson, the manager of The Five Crowns. All but one member of The Five Crowns went along with the name change to become the Drifters. The new line-up consisted of: Benjamin Earl Nelson (known professionally as Ben E. King; lead tenor), Charlie Thomas (tenor), Dock Green (baritone), and Elsbeary Hobbs (bass). James \"Poppa\" Clark was the fifth member; he was not included in the new group.This new lineup released several singles that became chart hits: \"There Goes My Baby,\" the first commercial rock-and-roll recording to include a string orchestra, \"Dance With Me,\" \"This Magic Moment,\" \"Save The Last Dance For Me,\" and \"I Count The Tears.\" However, personnel changes started almost immediately. Lover Patterson (who had managed the Five Crowns and was now the Drifters' road manager) got into a fight with George Treadwell. Since Patterson had Ben E. King under personal contract, he refused to let King tour with the group. Thus, King continued to record with the group for about a year before beginning a successful solo career. New member Johnny Lee Williams did the touring (although he can be heard leading \"True Love, True Love\"). Williams was subsequently replaced by Rudy Lewis (of The Clara Ward Singers), who led the Drifters on hits such as \"Some Kind Of Wonderful,\" \"Please Stay,\" and \"Up on the Roof.\" While recording \"Please Stay,\" songwriter Burt Bacharach met Dionne Warwick, a backup singer, thus beginning a legendary partnership.Bass Elsbeary Hobbs was drafted and eventually replaced by the returning Tommy Evans (from the 1958 group). Dock Green left in 1962 and was replaced by Eugene Pearson (of The Rivileers and Cleftones). Tommy Evans left again in 1963 and was replaced by Johnny Terry. After his military service and a failed solo career, Johnny Moore returned in 1964, making the group a quintet of Moore, Charlie Thomas, Rudy Lewis, Gene Pearson, and Johnny Terry.Later that year, the group was scheduled to record \"Under the Boardwalk\" on May 21. However, Rudy Lewis died the night before the session, and Johnny Moore took over as the sole lead (he and Lewis had been alternating). Terry was replaced in 1966 by Dan Dandridge for a couple of months, then by William Brent, who had been with Johnny Moore in The Hornets in 1954. Gene Pearson was replaced by Rick Sheppard that same year. By late 1966, baritone\/bass Bill Fredricks replaced William Brent. Charlie Thomas, the group's last \"original member\" (from the day The Five Crowns had become the Drifters), left in mid-1967 and was replaced by Charles Baskerville, a former member of The Limelites. Baskerville stayed only a short time, leaving before a session (which was done as a trio). Baritone Milton Turner was added by the end of 1967. In late 1969, Milton Turner left and was replaced by another singer named Charlie Thomas (who took the nickname Don Thomas to avoid confusion with the former member). This lineup lasted only a few months. By March 1970, the Drifters had broken up. Johnny Moore and Bill Fredericks reunited in January 1971 (along with two unknown singers) to do an independently-produced session that was subsequently sold to Atlantic. \"A Rose By Any Other Name\" and \"Be My Lady\" became the Drifters' last Atlantic release.Post-Atlantic careerAfter this, the Drifters moved to [place[England and underwent the usual bewildering personnel changes. Throughout the 1970s, the only charted records for the group were on the British charts - notably \"Kissing In The Back Row Of The Movies\", \"There Goes My First Love\" and \"You're More Than A Number In My Little Red Book\". Along with Moore and Fredricks, Butch Leake and former Ink Spots mamber Grant Kitchings[\/bandmember were members initially. Fredricks was replaced by Clyde Brown the next year, and Kitchings by Billy Lewis the year after. Leake was replaced by Joe Blunt in 1976, making the lineup Johnny Moore, Clyde Brown, Joe Blunt, and Billy Lewis. This year, Faye Treadwell renamed the group's management company Treadwell Drifters Inc.Moore left in 1978 and was replaced by Ray Lewis. Blunt and Billy Lewis left in 1979 and were replaced by the returning Johnny Moore and former Temptations lead Louis Price. Moore left again in late 1982, along with Clyde Brown. They were replaced by two returning members, Ben Nelson (a.k.a. Ben E. King) and Bill Fredricks.Around this time, members left and rejoined frequently. Fredricks, Lewis, and Price left in 1983 and were replaced by the returning Johnny Moore, Joe Blunt, and Clyde Brown. In 1986, the group changed all of its members and the new lineup consisted of new member Jonah Ellis and former members Ray Lewis, Billy Lewis, and Louis Price. The next year, more former members came in as replacements, making the group Moore, Billy and Ray Lewis, and Gene Jenkins (replaced shortly after by George Chandler, then John Thurston). Ray Lewis was out in 1988, and was replaced by Joe Cofie. In 1989, Billy Lewis left, and replaced by the returning George Chandler, then Tony Jackson, Keith John, and finally Peter Lamarr in 1990.Thurston was out at the end of the year and was replaced by Roy Hemmings. Patrick Alan was in for Lamaar briefly. Lamaar left in 1991 and was replaced by Rohan Delano Turney. This lineup lasted until 1996, when Cofie was out and Jason Leigh was in. Leigh was replaced after two years by the returning Peter Lamarr.Tragedy struck in 1999 when the group's longest serving member, Johnny Moore, died. Patrick Alan returned to the group, keeping it a quartet. Lamarr left again in 2003, and was replaced by Victor Bynoe. Hemmings left in 2004 and was replaced by the again-returning Lamarr. The group's current lineup is Peter Lamarr, Rohan Delano Turney, Patrick Alan, and Victor Bynoe. This line up is fully endorsed by Johnny Moore's wife and in Allan, Lamarr and Turner actually contains three of the longest serving Drifters members.In 2001, Faye Treadwell left the United Kingdom, allegedly due to bankruptcy. Two members of her company, Mark Lundquist and Phil Lunderman, started a new management company, Drifters UK Limited, to run the group. Their new duties included stopping a patent by an imposter Drifters group. As of December 2006, writs have been served in the London High Court by Tina Treadwell, daughter of George and Faye, against Lundquist and Lunderman, alleging they are not the rightful controllers of The Drifters. Tina's group features Roy Hemmings and Jason Leigh. It should be noted that Hemmings remained with Lundquist and Lunderman initially, leaving three years after the formation of Drifters UK Limited. It will be interesting to see how things transpire should Treadwell win her case, since the current Drifters lineup touring the UK has built up a fan base selling out one tour after another with Johnny Moore and continuing after his death. The Vocal Group Hall of Fame has inducted both 'The Original Drifters' (1998) and 'Ben E. King and The Drifters'(2000).In 2004, Rolling Stone Magazine ranked The Drifters #81 on their list of the 100 Greatest Artists of All Time.On July 4, 2007, Bill Pinkney died of a heart attack in his room at the Hilton Hotel, Daytona Beach, Florida, where he was in town to perform for the 4th of July Red, White and Boom Event.In 2009, the lineup consists of Damion Charles, Michael Williams, Steve V. King and Maurice Cannon. For tour dates and more info go to www.theofficialdrifters.com There was also a Japanese vocal group called the Drifters although the romanisation of their name (\u30b6\u30c9\u30ea\u30d5\u30bf\u30fc\u30b9)\u3000yields many variations: Doriftas, Dorifutas, Dorihutasu, etc.","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/4485_h_0.jpg","feeRange":"200,000 - 50,000"}
The Platters
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The Platters

The Platters were a successful black vocal group of the early rock n roll era. Their distinctive sou...

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{"key":"23704","name":"The Platters","bio":"The Platters were a successful black vocal group of the early rock n roll era. Their distinctive sound was a bridge between the pre-rock n roll Tin Pan Alley tradition of the Ink Spots and the Mills Brothers and the explosion of teenage music in the mid 1950s. The most successful incarnation of the group comprised lead tenor Tony Williams, David Lynch, Paul Robi, Herb Reed, and Zola Taylor.The Platters formed in Los Angeles, CA, USA in 1953 and were initially managed by Ralph Bass. They had a contract with Federal Records but experienced little record success until they met music entrepreneur and songwriter Buck Ram. He added lead vocalist Tony Williams (who gave the Platters their distinctive sound) and female vocalist Zola Taylor. Under Ram's guidance, the Platters recorded seven singles for Federal in an R&B\/gospel style, scoring minor regional hits on the West Coast. One song recorded at Federal, \"Only You (And You Alone)\", originally written by Ram for the Ink Spots was deemed unreleasable by the label.Despite lack of chart success, the Platters were a profitable touring group\u2013so successful that The Penguins, fresh from their No. 2 single Earth Angel, asked Ram to manage them too. With the Penguins as a bargaining chip, Ram persuaded Mercury Records into a 2-for-1 deal. In order to sign the Penguins, he insisted, the label also take the Platters. Ironically, the Penguins never had a hit for the label.Convinced by Tony Williams that \"Only You\" had potential, Ram had the group re-record it during their first Mercury session. Released in the summer of 1955, it became the group's first Top Ten hit on the pop charts, and topped the R&B charts for seven weeks. It has since become one of the most played records in any genre and the song has been covered by innumerable artists. Ironically, the follow-up, The Great Pretender, with lyrics written by Ram in the washroom of the Flamingo Hotel in Las Vegas, exceeded the chart success of their d\u00e9but and became the Platters' first national No.1 hit. The Great Pretender was also the act's biggest R&B hit, with an 11-week run at the top of that chart. In 1956. The Platters appeared in the first major rock n roll movie, Rock Around the Clock, and performed both \"Only You\" and \"The Great Pretender\" and they sang \"You'll Never Never Know\" in The Girl Can't Help It, produced the same year.The Platters' unique vocal style touched a nerve in the music-buying public, and a string of hit singles followed, including two more Top 100 No. 1 hits, one Hot 100 No. 1 hit, and more modest hits such as \"I'm Sorry\" (No. 11) and \"He's Mine\" (No. 23) in 1957, \"Enchanted\" (No.12) in 1959, and \"The Magic Touch\" (No.4) in 1956. The Platters hit on a successful formula of updating older standards, such as \"My Prayer\", \"Twilight Time\", \"Harbor Lights\", \"To Each His Own\", \"If I Didn't Care\" and Jerome Kern's \"Smoke Gets in Your Eyes\". This latter release caused a small controversy after Kern's widow expressed concern that her late husband's composition would be turned into a \"rock n roll record\". It topped both American and British charts in a tasteful Platters-style arrangement.The group was inducted into the Rock n Roll Hall of Fame in 1990 and into the Vocal Group Hall of Fame in its inaugural year of 1998. The Platters were the first rock n roll group to have a Top Ten album in America. They were also the only act to have three songs included on the American Graffiti soundtrack that sparked an oldies revival in the early to mid-1970s: \"Smoke Gets in Your Eyes\", \"The Great Pretender\" and \"Only You (and You Alone)\".Many groups have toured bearing the name The Platters but only one member of the original line-up, Herb Reed, was still touring and performing with Herb Reed's Platters in 2008.Zola Taylor died on April 30th 2007 of pneumonia whilst recovering from surgery.","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/23704_h_0.jpg","feeRange":"please contact"}
The Coasters
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The Coasters

The Coasters were formed in Los Angeles, California in 1955 by Carl Gardner (tenor) and Bobby Nunn (...

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{"key":"22921","name":"The Coasters","bio":"The Coasters were formed in Los Angeles, California in 1955 by Carl Gardner (tenor) and Bobby Nunn (bass) after the split of doo wop group The Robins.Their collaboration with legendary songwriters Jerry Leiber and Mike Stoller gave them a unique sound that was very humorous most of the time. Their first huge hit came with \"Young Blood\" and \"Searchin'.\" They also had success with hits such as \"Yakety Yak,\" \"Charlie Brown,\" and \"Little Egypt.\"Gardner was still touring with The Coasters as late as 2005, although he is the only surviving original member. Gardner is now semi-retired and has handed the reins over to his son Carl Jr.In 1987, they were inducted into the Rock & Roll Hall Of Fame, thus becoming the first group to be inducted (the other inductees at the time were solo acts). In 2000, they were inducted into the Vocal Group Hall Of Fame. In 2004, \"Young Blood\" was #414 on Rolling Stone's Top 500 Songs Of All Time. \"Young Blood\" and \"Yakety Yak\" were part of The Rock & Roll Hall Of Fame's 500 Songs That Shaped Rock & Roll. The band's song \"Down In Mexico\" appears on the new film, Quentin Tarantino's Death Proof.","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/22921_h_0.jpg","feeRange":"please contact"}
The Flamingos
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The Flamingos

The Flamingos are a Rock and Roll Hall of Fame inducted doo wop group from the United States, most p...

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{"key":"4553","name":"The Flamingos","bio":"The Flamingos are a Rock and Roll Hall of Fame inducted doo wop group from the United States, most popular in the mid to late 1950s and best known for their 1959 cover version of \"I Only Have Eyes for You\". Billboard magazine wrote The Flamingos are universally hailed as one of the finest and most influential vocal groups in pop music history; their music being defined as elegant and sophisticated.Jacob Carey (Jake) and Ezekial Carey (Zeke), bass and 2nd tenor, respectively, formed the group in Chicago, Illinois, after meeting cousins baritone Paul Wilson and first tenor John E. \"Johnny\" Carter at a Hebrew Israelite congregation. Earl Lewis (not the Channels lead) soon joined, and after a series of name changes, (The Swallows, El Flamingos, The Five Flamingos), wound up being known as The Flamingos. Sollie McElroy soon replaced Lewis (who joined The Five Echoes). The Flamingos' first single (for Chance Records), \"If I Can't Have You\", was a moderate local success, as was the follow-up \"That's My Desire\", but it was Johnny Carter's composition of \"Golden Teardrops,\" with its complex vocal harmonies and Carter's soaring falsetto, that cemented their reputation as a top regional act of the day.The Flamingos left Chance Records sometime after their December 1953 session and signed with DJ Al Benson's Parrot Records. Sollie McElroy was on their first Parrot session, but left the group in December 1954, to be replaced by tenor Nate Nelson (who was on their second Parrot session; he's lead on \"I'm Yours,\" released in January 1955). In early 1955, the Flamingos signed with Chess Records, to record for their Checker Records subsidiary. At Chess\/Checker, the Flamingos achieved their first national chart hit with \"I'll Be Home\", which went to #5 on Billboard's R&B chart (Pat Boone's cover version, complete with incorrect lyrics, was a hit on the pop charts). The group also had moderate success for the label with other chestnuts like \"A Kiss From Your Lips,\" \"The Vow,\" and \"Would I Be Crying\". The Flamingos also appeared in the 1956 Alan Freed movie, Rock, Rock Rock. Both Zeke Carey and Carter were drafted that year (Carter was drafted in September).Nate Nelson, Jake Carey, and Paul Wilson continued the group with new member Tommy Hunt (added in October 1956). Another new member, tenor\/lead, guitarist, and arranger Terry \"Buzzy\" Johnson, joined in late December of that year. This group (Nate Nelson, Tommy Hunt, Terry Johnson, Paul Wilson, and Jake Carey) began recording for Decca Records in April 1957. Their most notable single was Johnson's arrangement of \"The Ladder of Love\", but legal entanglements between Checker and Nate Nelson ruined any chance of commercial success. Zeke Carey returned to the Flamingos in 1958, making the group a sextet. (When Johnny Carter was discharged from the service, he joined The Dells, performing with them for almost 50 years until his death in 2009.) Zeke and Jake Carey were not blood-related, but were considered cousins, because of Zeke being adopted by Jake's aunt and uncle.That year, the Flamingos began recording for George Goldner's End Records in New York City, where they had several national hits. Almost immediately, the group had their first pop chart hit with \"Lovers Never Say Goodbye\", written by Terry Johnson, who shared lead chores on the song with Paul Wilson. The formula was a winner as Terry and Paul also led three of the 12 songs selected for their first album Flamingo Serenade - George Gershwin's \"Love Walked In\", \"But Not For Me\" and \"Time Was\". The Flamingos would have their biggest seller in 1959 with another old standard from that LP, on which Nate Nelson handled lead chores. \"I Only Have Eyes for You\" (written in 1934 by composer Harry Warren and lyricist Al Dubin for the film Dames) became their biggest seller, and has been featured in dozens of movies and TV shows. A long series of hits followed, including the Johnson-penned \"Mio Amore\", Doc Pomus' composition \"Your Other Love\", \"Nobody Loves Me Like You\" (written for the group by Sam Cooke), and \"I Was Such a Fool\". LP cuts \"Love Walked In\" and \"Time Was\" were also issued as singles. That same year, they appeared in the Alan Freed movie, Go, Johnny, Go, singing a frenetic version of \"Jump Children\" (originally recorded for Chance Records in the early days). The group became known almost as much for their stage show and choreography as for their harmonies. Groups including The Temptations and The Tavares would later credit the group as major influences.The group began to come apart at the turn of the decade. Tommy Hunt left for a solo career in 1960. Nate Nelson and Terry Johnson split to form the \"Modern Flamingos\" in 1961, and went on to record as The Starglows on Atco Records in 1963. (The Modern Flamingos name was used later; the group would include members of the defunct Del-Knights in the late 1960s). New members were brought in, making the group Zeke Carey (tenor), Jake Carey (bass), Paul Wilson (baritone), Billy Clarke (tenor), Eddie Williams (tenor), Alan Fontaine (guitar), and Julien Vaught (saxophone). Also Johnny Carter left in 1961 to join The Dells. Clarke and Williams took duties on most new lead vocals.A sixth vocalist, Doug McClure, was added in 1962. Shortly afterwards, Clarke and Williams left the group. Founding member Paul Wilson left in 1964, new member Sidney Hall joined in 1966, and Jacob Carey's son J.C. Carey joined in 1969. They recorded several uptempo songs through the 1960s, peaking at #26 in the UK Singles Chart with \"The Boogaloo Party\". Around this time, the Flamingos formed their own label, Ronze, and produced many of their own recordings.The group continued recording into the 1970s. A new album was released in 1972 on Ronze, entitled The Flamingos Today. By this time, the group was the Careys, McClure, Fontaine, the returning Billy Clarke, and former Limelite Clarence Bassett, Jr. New member Frank \"Mingo\" Ayers joined soon after. More mildly successful recordings came in this decade, including the uptempo \"Heavy Hips\", and \"Buffalo Soldier\".By 1980 the group was Jake Carey, Zeke Carey, Frank Ayers, and Jerome Wilson. Ayers left around this time, joining the Del Vikings. In 1984, two new members joined: Bennie Cherry and Archie Satterfield. In 1988, the group was featured at the 1988 Grammy Awards.By the early 1990s, the group was the Careys, Satterfield, Ron Reace, and Kenny Davis. Later, it was the Careys, Reace, and King Raymond Green. Jake Carey died in 1997. The group recorded a new album, Unspoken Emotions, under the Ronze label in 1999. It featuring re-recordings of \"Ain't Nothing But A Party\" and \"I'll Be Home\", led by Zeke Carey. The group appeared on the PBS television special Doo Wop 50 that same year. The lineup was Zeke Carey, J.C. Carey, Ron Reace, King Raymond Green, and Larry Jordan. Zeke Carey died in 2001. King Raymond Green and Ron Reace left around that time and were replaced by Earnest \"Just Mike\" Gilbert and former Dynamic Superior George Spann. James Faison entered shortly thereafter. Tommy Hunt has flown in from England (where he has lived since 1970) to perform with this group twice since 2001.The group split up in late 2005 due to money disputes. Spann, Jordan, Gilbert, and Faison grouped together to reform Spann's old group, The Dynamic Superiors. Carey brought in new members, and toured with Tommy Hunt starting in April 2007.Terry Johnson is the owner of \"The Flamingos\" federal trademark and leads the current incarnation of the group. The current lineup is Johnson, Starling Newsome, Stan Prinston and musical director Theresa Trigg. The Flamingos featuring Terry Johnson appeared on two PBS specials: Rock and Roll at Fifty (in which they were the only group to have more than two songs featured) and Doo Wop Cavalcade: The Definitive Anthology. In 2013, The Flamingos released the Diamond Anniversary Tour CD. They continue to perform in concerts across the country.J.C. Carey Jr., Terry Johnson, Tommy Hunt, and descendants of Nate Nelson and Paul Wilson, sued PepsiCo for having used \"I Only Have Eyes For You\" in a 1998 television commercial, allegedly without having consulted the group. The group was awarded $250,000.The Flamingos received the Rhythm & Blues Foundation Pioneer Award in 1996 (where Terry Johnson, Jake Carey, Zeke Carey, Tommy Hunt and Johnny Carter performed) and were inducted into the Vocal Group Hall of Fame in 2000, the Rock and Roll Hall of Fame in 2001, and the Doo-Wopp Hall of Fame in 2004. The group that performed at the Rock Hall ceremony included Terry Johnson on lead, Tommy Hunt and Johnny Carter. In 2003, The Flamingos recording of \"I Only Have Eyes For You\" (co-written by Walle (Walter) Dillard) was inducted into the Grammy Award Hall of Fame.","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/4553_h_0.jpg","feeRange":"please contact"}
The Harptones
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The Harptones

The Harptones was an American doo-wop group.The group never had a top forty pop hit, or even a recor...

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{"key":"83082","name":"The Harptones","bio":"The Harptones was an American doo-wop group.The group never had a top forty pop hit, or even a record on the national R&B charts, yet they are still considered one of the most influential doo-wop groups, both for their lead singer, Willie Winfield and their pianist\/arranger, Raoul Cita. The Harptones may have been the first doo-wop group to number a full-time arranger among their members, and Cita knew how to work to Winfield's strengths. Their best-known recordings include Life Is But A Dream, Sunday Kind of Love and The Shrine of St. Cecilia. The song Life Is But A Dream is featured in the movie Goodfellas during Karen and Henry's wedding. The song can be found on the film's soundtrack. Sunday Kind Of Love by the Harptones was one of the must songs in every street corner dop wop group's songlist.","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/83082_h_0.jpg","feeRange":"please contact"}
The Five Satins
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The Five Satins

The Five Satins are an American doo wop group, best known for their song, "In the Still of the Night...

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{"key":"23536","name":"The Five Satins","bio":"The Five Satins are an American doo wop group, best known for their song, \"In the Still of the Night\".The group, formed in New Haven, Connecticut, consisted of leader Fred Parris, Lou Peebles, Stanley Dortch, Ed Martin and Jim Freeman in 1954. With little success, the group reorganized, with Dortch and Peebles leaving, and new member Al Denby entering. The group then recorded \"In the Still of the Night\", which was originally released as the b-side to the single, \"The Jones Girl\". The single was released the following year, and \"In the Still of the Night\" ended up charting at number three on the R&B chart and number 25 on the pop charts. Parris entered the Army soon after, and the group reorganized again, with Martin, Freeman, Tommy Killebrew, Jessie Murphy and new lead Bill Baker. This lineup hit with another highly successful song, Billy Dawn Smith's \"To The Aisle\".Upon Parris' return from the Army, a new lineup was assembled, consisting of Parris, Lou Peebles (who was in a previous incarnation of the Five Satins), Sylvester Hopkins, Richie Freeman and Wes Forbes. The group would be briefly known as \"Fred Parris and the Scarlets\", until the Baker-led group split up. At this point, they reverted to the Five Satins name, but had little success on the charts.By the early 1970s the group was Parris, Peebles, Richie Freeman, Jimmy Curtis and Corky Rogers, and they continued recording into the 1980s, with Parris, Richie Freeman, Curtis and Nate Marshall. Meanwhile, Bill Baker started his own Five Satins group in 1981, with former Satin Sylvester Hopkins and Hopkins' brothers Carl and Frank. By the late 1980s, this group consisted of Baker, Harvey Potts, Jr., Anthony Hofler and Octavio DeLeon.Fred Parris continues to perform. Bill Baker died in 1994.Awards and recognition:In 2003, the Five Satins were inducted into the Vocal Group Hall of Fame.Present day:One of the original members of the Five Satins now works in the cafeteria at the University of New Haven. Jim Freeman lives in Norwalk, Iowa and owns a pest control company. Wes Forbes is a psychologist in the State of California, currently employed with Alliant International University as a Training DirectorFred Parris and Richie Freeman are still actively performing with the Five Satins. The lineup now also includes Eugene Dobbs and Nadina Perry.","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/23536_h_0.jpg","feeRange":"please contact"}
The Marcels
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The Marcels

The Marcels were a doo-wop group known for turning beloved American classical pop songs into rock an...

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{"key":"361","name":"The Marcels","bio":"The Marcels were a doo-wop group known for turning beloved American classical pop songs into rock and roll. The group formed in 1959 in Pittsburgh, Pennsylvania, with lead Cornelius Harp, bass Fred Johnson, Gene Bricker, Ron Mundy, and Richard Knauss. In 1961 many were shocked to hear a new version of the ballad, \"Blue Moon\" that began with the bass singer say, \"bomp-baba-bomp\" and \"dip-da-dip.\" Still, the record sold a million and is featured in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.The disc climbed all the way to number one in the UK singles chart. However all follow-ups sank without trace, and the group became known there as a one-hit wonder. Even in their U.S. homeland, later revivals in the same vein as \"Blue Moon\" - \"Heartaches\" and \"Melancholy Baby\" - were much less successful.In August of 1961, Knauss and Bricker left and were replaced by Alan Johnson (brother of Fred) and Walt Maddox. Mundy left soon after, leaving the group a quartet.In 1962, Harp and Alan Johnson left, and were replaced by Richard Harris and William Herndon. There was a brief reunion of the original members in 1973. The group made several recordings in 1975 with Harp back on lead.By the early 1990s the group was Johnson, Maddox, Harris, Jules Hopson and Richard Merritt.The group split around 1995. Fred Johnson formed his own group with new members, while the other four members recruited new bass Ted Smith. Maddox won a lawsuit against Sunny James Svetnic, the manager of Johnson's group, for trademark infringement in 1996. Svetnic died in 2002.Johnson reunited with Harp, Mundy, and Knauss in 1999 for the PBS special Doo Wop 50 with a fifth member.","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/361_h_0.jpg","feeRange":"please contact"}
The Earls
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The Earls

The Earls, sometimes credited as Larry Chance and the Earls, were a popular recording group from the...

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{"key":"64769","name":"The Earls","bio":"The Earls, sometimes credited as Larry Chance and the Earls, were a popular recording group from the 1960s formed in The Bronx, New York. In 1962, their single \"Remember Then\" was a hit, and \"Life Is But a Dream,\" \"Never\" and \"I Believe\" also charted. As the oldies revival scene started a strong run in the early 1970s and 1980s, the Earls became one of the most requested groups in the doo-wop genre. They are still actively performing and remain on the oldies circuit.Other recordings included \"Looking For My Baby\" and \"Kissing.\" Albums included Remember Me Baby, The Earls: Today, The Earls - Live, Earl Change, and Streets of the Bronx.Biography The Earls are one of the New York City doo-wop success stories. Discovered singing on the street corner in front of subway station, the Earls took the original black doo-wop street corner harmony sound, and refined and expanded it for new audiences.Larry Chance was the driving force behind the group's formation and success. Larry grew up in Philadelphia and attended high school with Chubby Checker, Frankie Avalon, and Danny Rapp of Danny and the Juniors. But it was not until 1957 that he moved with his parents to the Bronx after high school, that his musical career took off.Chance formed a group at the Tecumsa Social Club, known as the Hi-Hatters. The group was Chance, Bob Del Din, Eddie Harder, Larry Palombo and John Wray. In the fall of 1959 they were singing in front of a subway station when Johnny Powers, who had a fledging record label, Rome Records, heard them. Powers took them into the recording studio. They paid to record four tracks as the Hi-Hatters.About this same time, Chance picked the name the Earls at random out of a dictionary. Later, in 1959, the Earls lost their original member Larry Palombo in an army skydiving accident when his parachute failed to open during an exercise. In 1961, Rome released the Earls' first record \u2013 \"Life is But a Dream\" (Rome 101 \u2013 1961) b\/w \"Lost Love\" (and later released with \"Whoever You Are\" as the B-side). The group then performed with Murray the K and on Dick Clark's American Bandstand show. They released another record that year, \"Looking For My Baby\" (Rome 102) b\/w \"Cross My Heart\".In 1962, the group hooked up with Stan Vincent and recorded \"Remember Then\" for Old Town Records (Old Town 1130) b\/w \"Let's Waddle\". It was a hit, peaking at #24 on the US Billboard Hot 100 chart in 1963. Chance co-wrote the group's next single \"Never\" b\/w \"I Keep A-Tellin You\" (Old Town 1133\u20131963). The group scored another hit in 1963 on Old Town with \"Eyes\" b\/w \"Look My Way\" (Old Town 1141). Later, a demo \"I Believe\" was released (Old Town 1149\u20131963) b\/w \"Don\u2019t Forget\".Chance later had a brief solo career, recording \"Let Them Talk\". He returned to the Earls who, at that time, had two new members \u2013 Bob Moricco and Ronnie Calabrese. The group started playing their own instruments and, in 1967, recorded \"If I Could Do It Over\" b\/w \"Papa\" (Mr. G 801 \u2013 1967), and a track for ABC Records, \"Its Been a Long Time Coming\" b\/w \"In My Lonely Room\" (ABC 11109\u20131967).The group continued performing into the 1970s and, in 1977, they released a disco version of The Velvets' \"Tonight (Could Be the Night).\" By 1983, the group's personnel were Chance, Ronnie Calabrese, Colon Rello, Bobby Tribuzio and Tony Obert, and they recorded Larry Chance and the Earls \u2013 Today.Former member Art Loria died October 23, 2010. He performed and recorded with the group for 8 years in the late 1980s and early 1990s. He was the writer of the groups tribute to Elvis song, \"He's Alive. The song is also on LARRY CHANCE SINGS COUNTRY, a new album by ChanceMembers Larry ChanceBobby TribuzzioBobby Coleman Past members Jack WrayEddie HarderBobby Del-DinMike MoneLarry Palumbo (died 1959)Ronnie CalabreseArt Loria (died 2010)Bobby ColemanChris CassoneChuck MerizoGeorge Tuzzeo","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/64769_h_0.jpg","feeRange":"please contact"}
The Clovers
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The Clovers

There are multiple groups by this name.1:The group formed in 1946 at Armstrong High School in Washin...

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{"key":"23067","name":"The Clovers","bio":"There are multiple groups by this name.1:The group formed in 1946 at Armstrong High School in Washington, D.C., with members Harold Lucas, Billy Shelton, and Thomas Woods. John \"Buddy\" Bailey was added soon after, and they began calling themselves the \"Four Clovers\", with Bailey on lead. In perfecting their sound, the group pushed Shelton and Woods out in 1948, and brought in Matthew McQuarter and Harold Winley.Their break came in 1950, when they were introduced to Lou Krefetz, who became their manager. They signed to New York's Rainbow Records and released two singles, \"Yes Sir, That's My Baby\" and \"When You Come Back To Me\". Soon after, Krefetz brought them to Atlantic Records' Ahmet Ertegun, and they were signed to Atlantic in 1951. At this point, Bill Harris was added as their guitarist. Their first appearance came in February of that year at the Apollo Theater.Their very first Atlantic session produced their first big hit, \"Don't You Know I Love You\", which hit #1 on the national charts in June of 1951. \"One Mint Julep\" (written by Rudy Toombs) and \"Fool Fool Fool\" also went #1 in September. Bailey was drafted in 1952, and John Phillip was brought in to replace him. He stayed for just a few months, before leaving and being replaced by Charlie White, who had been in the Dominoes and the Checkers.With personal problems, White was fired near the end of 1953. His replacement was Billy Mitchell. The group continued recording with Atlantic, without as much success as they'd previously seen. Buddy Bailey was discharged from the Army in May of 1954, and rejoined the group, making them a quintet. They continued in recording, and in 1955, found moderate success with \"Devil or Angel\".Mitchell left in 1957 to do solo work, but rejoined shortly thereafter, opting to do both solo work and work with the Clovers. Their Atlantic contract expired, and Krefetz moved them to his own label, Poplar Records. Poplar was purchased by United Artists Records shortly thereafter. The group's work with United Artists put them in contact with Jerry Leiber and Mike Stoller. After a few recordings there, they had their biggest hit, \"Love Potion #9\", which came in July of 1959, and featured Mitchell on lead.Their UA contract expired in 1961, and they moved to Winley Records. With little success there, the group split. Lucas and Mitchell brought in new members James \"Toy\" Walton and Robert Russell, and recorded shortly for Atlantic. John Bailey recorded with his own Clovers group in 1962 for Winley (owned by Harold's brother Paul).Mitchell left in 1962, and was replaced by Roosevelt \"Tippie\" Hubbard. They recorded as \"Tippie and the Clovermen\" and \"Tippie and the Clovers\" for Tiger Records, a subsidiary of Rust Records. John Bailey's group, by this time consisting of Nathaniel Bouknight, Peggy Winley Mills (sister of Paul and Harold), and Ann Winley, Paul's wife, recorded for another Paul Winley label, Porwin records. Near the end of 1963, the two groups came back together, into a Clovers trio featuring Harold Lucas, John Bailey, and the returning Harold Winley.Following The Searchers' remake of \"Love Potion #9\" in 1965, some of the old Winley and Porwin tracks were leased to Pickwick International Records, who released them as the album The Original Love Potion #9 By The Clovers. Winley left for the second time in 1965. Bailey and Lucas recorded briefly for Atlantic with the returning Robert Russell and Jimmy Taylor. The sides were sold to Port Records and released with little success. Lucas and Bailey split that year.Lucas and Russell brought back Tippie Hubbard and Toy Walton and, with fifth member Al Fox, recorded as \"Tippie and the Wisemen\" for Washington D.C.'s Shrine Records. With Fox out, the changed back to The Clovers. John Bailey also formed a Clovers group, who re-recorded \"Devil or Angel\" and \"Love Potion #9\" for Lana Records in 1965. To add to this confusion, Harold Winley started a third Clovers group in 1968, with members Bobby Adams, Johnny Taylor, and Ray Loper, and recorded for Josie Records.Robert Russell died in 1969 and Lucas replaced him with John Bowie. They released a disco tune, \"Bump Jive!\", on D.C. based Alladin Records in 1975. Shortly after the recording, Toy Walton died, and was replaced by Johnnie Mason. Tippie Hubbard died in 1980 and was replaced by Steve Charles.A reunion was planned in 1988 in Austin, Texas. Lucas brought his Clovers, as well as reuniting with John Bailey, Matthew McQuarter, and Harold Winley. Lucas' group also performed at a benefit concert later that year for Bill Harris, the groups long-time guitarist. Also in 1988, Lucas' group recorded for Ripete records, in Elliott, South Carolina.Chuck Battle replaced Charles around 1990. Harold Lucas became ill and stopped touring around 1993. His place was taken by Richard Merritt. Battle left in 1992 and was replaced by Preston Monroe, who was later replaced by David Warren. This lineup performed on the PBS special, Doo Wop 51. John Bowie died in 2002, and the group split.Following the 1988 reunion, Bailey and Winley joined Jimmy Nabbie's Ink Spots. Winley is still in that group. Prior to his death, Bailey also performed solo, sometimes backed up by The Calvanes, who feature former Bailey-Clovers member Bobby Adams. No remnants of the former Bailey groups or Winley's group exist.The Clovers were inducted into The Vocal Group Hall of Fame in 2002.2: The Clovers is a celtic punk band from Japan.","featuredImage":"https:\/\/assets.allamericanmusic.com\/images\/23067_h_0.jpg","feeRange":"please contact"}
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